Colorado Video CrewMister Photon!1 (720) 299-2084 A video crew is a newer nickname for a camera crew. Mister Photon Media has provided these services along with other crew and video production services. Including film or television, or photography and other media production. With video cameras overtaking film cameras in popularity many camera people & directors of photography whom preferred film have gone to modern HD or 4K or larger video cameras. Film started losing ground as 4K and larger format cameras came in many price ranges and from many manufacturers. Video, Film & Television ProductionYou can skip forward with arrow or icon, or to re-watch videos, please refresh the page. This is demo reel, with various production types, but you can see video by category on this page. Video Crews TypesThis section below explains the types of camera crews and how Mister Photon Media’s expertise applies to you as a client or potential clients producing a video, film or television production or specific program.
 Left: ENG video crews in Colorado, and photojournalist news cameraman of Mister Photon Media. Right green screen production, and television HD video crew in Dillon CO producing a TV commercial. ENG Video Crew or ENG Camera CrewA term for electronic news gathering, and can be applied to a video crew recording video for broadcast news or news for some online portal or website. Sometimes this type of crew can be equated to other types of video crew services. SNG, satellite news gathering typically involves an uplink or satellite video truck that uses satellites to broadcast/transmit recorded video to another receiving source such as another satellite truck, television station or similar destination. Sometimes these crews transmit video live or to a network with a LiveU or TVU device. These devices aren’t cost effective for partially active users due to rent overhead, but are used frequently by broadcast networks. Other alternatives are to send video to another bureau from an affiliate bureau, by these technologies of satellite or by LiveU, TVU or file sharing or cloud video sharing. File sharing and cloud sharing takes longer to process typically, and is not desirable for same day news. Nick, our founder has a large news and ENG, as well broadcast television background, aside from other backgrounds as a videographer, director of photography, as well still photographer. Our camera crew is also versed as an ENG video crew with several of our crew members having credits globally in broadcast television. NTSC Video CrewNTSC means The North American Television Standards Committee. The group that phrased the term for a video format that is typically broadcast in North America, Central America, Japan, Canada and some other countries. The original frame rate was in 30 frames or 60 fields a second. With fields being 2 portions that make interlaced video picture. The progressive formats of on single frame as a picture came where the frame was scanned to look more like film. Progressive cameras are now common in HD or 4K or larger formats. HD or 4K are the most common standards for television format. Common frame rates in NTSC are 23.98, 24, 29.97 or 60pfor standard broadcast. With technology in camera and networks evolving both NTSC and PAL have some flexibility in frame rates. 23.98 and 24p can be converted to 25p for PAL broadcast. PAL Video CrewPhase Alternate Line Video is the European television standard. PAL video frame rate in 25 frames a second or 50 frames a second broadcast in Europe and many other surrounding countries. These formats were based originally in the hertz or electrical timing in these countries. PAL video basically now runs in 25 or 50 frames per second. Electrically 50 cycles a second. PAL video can be SD, standard definition, HD, high definition, 4K or UHD or larger pixel dimensions. This is the close in NTSC as well for pixel dimension sizes per each frame of video. Older PAL SD video was a higher resolution format, but now obsolete. Specific Camera FormatVideo Crews, TV, FilmThis is appropriate to a crew filming with a film camera, but has been misused in instances labeling a video crew as a film crew. With the technology of 35mm format video cameras that have the resolution of 35mm format motion picture film, this can still be an appropriate or for higher pixel count sensors. The film crew is still in existence in motion picture production, however many cinematographers/directors of photography have transitioned to larger format or Super 35 format sensor based cameras. For video, film or television production, including feature film production as it’s digital and you have a actual picture of the camera, as opposed to the sometime guesswork exposure of 35mm or Super 70mm film formats. The film has to be developed later, scanned and converted for editing. Film crews are led by a director and or director of photography. They require more crew members and use cameras including 16mm, Super 16mm less commonly, but more often 35mm or Super 70 format film cameras. We will not go into all of the advantages of using 35mm based video cameras (UHD or 4k or larger resolutions) over film cameras in depth, but a few are:
TV Television CrewA video crew specializing in producing and recording live broadcasts or recording them in advance with video camera (film cameras being less relevant and often now less desirable due to the advances in video). The video is then transferred to either the video production company or the network directly edited before broadcast. This is a video crew recording and or producing for a business video production or making a video for a corporation. With so many types of business video productions here’s a short list of types of corporate video productions:
HD Video Crew, High DefinitionHD or high definition has 2 primary common formats, 720p or 1080i or p, and Mister Photon Media has ample choices for high definition video crews, a director of photography, videographer or camera operator for clients anywhere in Colorado for any type of video or television production. 720p is 720×1280 pixels, and 1080 formats are 1920×1080 interlaced or progressive scanned camera formats. There are older HD formats in 1080 resolutions like 1280 x 1080 or 1440 x 1080 pixel formats that can be scaled to 1920×1080 resolution. Mister Photon also have ample choices in both NTSC or PAL based video cameras that also extend into 4K and 6k formats. There are older HD formats that recorded in similar resolutions like HDV videotape, older P2 or DVCPRO HD cameras, but much technology today follows the common 720p or 1080 specs. 4K Video Crew or Larger(5K, 6k, 7K, 8K onward)4K is a perfect medium for cinematography/motion picture film making, corporate video production, television commercials, infomercials, among other uses in either video or film production. 4K video or UHD is in our camera crews inventory, as well experience. Nick also has experience with 5K, 6K cameras, including RED, Sony and others. Mister Photon Media can provide you a 4K or larger format video crew, film or television crew services. Including director of photography services, or assist you as a DP/Dop with crew support. Like AC/assistant camera, sound recordist, gaffer, grip, data wrangler, DIT or other assistance. Our expertise includes supporting other directors of photography, networks, producers among other clients whom need solutions that are needed anywhere in Colorado. Live Video, Live Broadcast Video CrewLive broadcast technology is used for live shots such as LiveU or TVU units, or a satellite truck (sometimes called a news truck or uplink truck). There are other live video streaming technologies but they are used in CDN/content delivery networks. There are overlapping video crews in this category including television, ENG video or a news video crew. All types of live programming can be recorded and switched, while being broadcast live. This takes a larger video crew, more technology, and assistance from the live location to the the coordination at the broadcast television network.
Video Crew or EFP Video CrewEFP means electronic field production and this type of video crew is most commonly associated with television production or live broadcast. They can sometimes be also termed a television crew or TV crew. Most of a EFP video crew’s production in the past has been associated with broadcast. Either for a television commercial, infomercial, specific type of television program. They can also to non broadcast production like a corporate video production or modern social media video or CDN. Or another online delivery where the video is produced and then shared to shared live in some instances. Here are our camera formatsSony
Go back up to the table of contents. Canon Camera Crews
Panasonic format Camera Crews
RED format Camera Crews
Arri Video or Film Crew
GoPro Cameras
Black Magic camera
What Format Camera Crew?Does if Matter? With all the the cameras out there, you can match cameras from the same model, and often the same manufacturer if they have have similar paint menus and sensors. Assisted by a AC or a skilled director of photography within similar camera designs can match cameras of different types or formats. There are limitations to matching cameras, such as trying to match a CCD based camera with a B4 lens to a camera that uses 35mm format sensor technology. Unless you adapt with a 35mm lens adapter & lens to the CCD based camera. B4 lenses are also used on older CCD based cameras with multiple imagers but have been adapted to some 35mm formats. Done by lens adapter or in the camera design to match to 35mm formats. There are several tricks like F-stop control, use of ND and distance to your subject can match a CCD or CMOS based B4 type lens camera to match a 35mm format lens camera. More or less, but often less. Some cameras use 35mm sensors matched to B4 lenses with the capabilities of 4K and larger, as well use of a servo zoom lens. Black Magic and Sony are the 2 foremost. Contact DetailsTo hire / book our camera crew, crew members or other services in video, film or television production, please call 1 (720) 299-2084 Contact Page with email address link Skype us at: misterphotonmedia or Nick Teti (Colorado). Source code and content copyright Nicholas Teti III, |
